Jewellery Gallery One-off pieces and commissions
Chrysanthemum Brooch with Aquamarine
Daisy Necklace
Hedgerow Rings
Hedgerow Oval Earrings
Bird and Pearl Necklace
Dahlia Brooch
Dahlia Rings
Dahlia drop Earrings
Flower Bomb Rings
Flower Bomb Necklace
Flower Bomb Ring
Swallow Brooch
Summer Hedgerow Necklace
Enamel Nugget Ring
Silver Enamel Earrings
Lapis Necklace
Hedgerow Chain Necklace
Herm Island Necklace
Enamel Hedgerow Earrings
Winter Hedgerow Brooch
Winter Hedgerow Earrings
Silver Cuffs
Echinacea Necklace
Red Enamel Necklace
Whiteknights Brooch
Silver Cuffs
Tanzanite Ring
Berries Necklace
Hedgerow Brooch
Buddleia Cluster Necklace
Silver Cuffs
Chrysanthamum Brooch (chased)
Red Enamel Necklace
Whiteknights Brooch
Hedgerow Necklace
Tanzanite Ring
Rakia Brooch
Willow Earrings with Emeralds
Buddleia Cluster Necklace
Dogwood Brooch
Petal Necklace
Silver Dahlia Brooch (oxidised)
Techniques
The Enamelling Process
Contemporary enamel jewellery. The enamels are ground to a fine powder under water in a pestle and mortar. They are then applied to the silver and fired in a kiln to fuse the enamel to the metal. On most pieces the surface is then "stoned back" so the enamel is flush with the silver and any pits and holes repaired before refiring; each piece may be fired several times to achieve the requiried results. The silver is often oxidised to give it a dark appearance that contrasts well with the vibrancy of the enamel.
Chasing and Repousse
These cuffs are made by the traditional technique of chasing and repoussé that involves setting the silver in molten tar. Steel chasing tools are used with a hammer to work the silver first from the back. Then when the required depth is achieved the piece is taken out of the pitch, cleaned up and set back in the pitch. It is then supported and can be worked from the front without losing the depth. It is a time consuming, but very rewarding way to work the silver.
Some Other Techniques...
The Flower Bomb Collection is made by cutting flowers out of silver by hand; these are individually soldered on to the form, finishing with a gold bobble to the centre. The construction is challenging, but satisfying to achieve. The Dahlia range is made by chasing silver to give the petal pattern, hand pierced, then colour is added by oxidisation, enamel or gold fusing. I also use direct casting, pouring molten silver into hand carved moulds.